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The Black Wall Street Times: A Guide for Local Businesses

  • Writer: Bryan Wilks
    Bryan Wilks
  • 5 hours ago
  • 8 min read

You're probably trying to do two things at once right now. You want your business to feel rooted in Tulsa-area community life, and you want your marketing dollars to reach people who care about local institutions, local stories, and local outcomes. That's where The Black Wall Street Times becomes useful, not as a symbol alone, but as a working media partner for businesses, venues, and community hubs that need the right audience, not just more noise.


For a place like Freeform House in Jenks, the practical question isn't whether community storytelling matters. It's how to show up in a way that feels credible, locally relevant, and worth a reader's attention. A niche publication can do that better than broad, impersonal ads, especially when your offer depends on trust, events, membership, and proximity.


Connecting with Community Beyond the Noise


A Jenks business owner planning a launch, a workshop, or a members-only evening usually hits the same wall. Social media reaches some people, but it also buries the message under constant scrolling, promotions, and algorithm drift. Traditional ads can feel detached from the actual community you want to serve.


A family talking to a friendly man at a Freeform House community center desk in Jenks, Oklahoma.


That's why The Black Wall Street Times matters for local outreach. Most coverage of The Black Wall Street Times focuses on its identity and local history, failing to explore its role as a modern news organization in a fragmented media market. That leaves a content gap around how it is used, monetized, and differentiated from other niche local outlets, which is exactly the kind of gap a business partner should care about. This guide to local business networking fits that same logic, because community presence works best when it's built through repeated, relevant contact.


Practical rule: if your offer only makes sense to people who already live, work, volunteer, or spend time in the Tulsa area, a niche publication is often a better fit than a broad regional buy.

A community hub does better when it looks like part of the conversation instead of an interruption. For an event space, coworking club, or hospitality brand, that means showing up with a story angle, a useful resource, or an event worth covering. It also means understanding that the publication is not just a historical reference point. It's a living newsroom with an audience that expects relevance.


The best local partnerships start with shared usefulness. If your business helps people meet, learn, build, or gather, that's already closer to editorial value than most ads ever get.


Understanding The Black Wall Street Times


A diagram outlining the modern identity, historical context, and mission of The Black Wall Street Times.


The Black Wall Street Times was founded in Tulsa in 2017 as a digital news publication focused on stories affecting the Black community, especially those tied to Tulsa's historic Greenwood context. Its niche audience profile creates strong topical relevance and audience affinity for civil-rights coverage, local policy, and community reporting. The publication's FAQ makes that positioning clear.


Why the Greenwood connection matters


The Greenwood District, known as Black Wall Street, was one of the most prosperous Black business districts in the U.S. before it was destroyed in the 1921 Tulsa Race Massacre, which burned more than 35 city blocks and left about 10,000 residents homeless. Britannica's overview of Black Wall Street gives the historical frame. That history shapes the publication's identity, but it also explains why readers come to it expecting substance, not just symbolism.


The practical takeaway for businesses is simple. A publication rooted in this legacy isn't just reporting on neighborhood memory. It's speaking to a community that cares about ownership, representation, and institutional trust. That makes it especially valuable for brands that want to align with civic seriousness instead of generic lifestyle marketing.


What that means for advertisers and partners


The audience is likely to respond to businesses that demonstrate local commitment, not just local presence. That's important for venues, professional services, cultural organizations, and membership models that depend on repeat attention.


Good fit test: if your message would still make sense after the headline scrolls past, it probably isn't specific enough for this audience.

Use that standard when deciding whether to pitch a feature, buy an ad, or sponsor a community conversation. The publication's identity gives you context, but its modern newsroom function gives you a significant opportunity. Treat it like a contemporary media partner with a defined readership, not a heritage brand with no operational relevance.


What the Publication Typically Covers


The Black Wall Street Times tends to sit at the intersection of community news, Black entrepreneurship, local politics, social justice, and arts and culture. That combination matters because it tells you where your message can land without feeling forced. If your story only sounds like a sales pitch, it won't fit. If it sounds like a useful community update, a local profile, or a public-facing event, you're closer.


For a place like a coworking club or event venue, the strongest angles usually involve people and purpose. A member networking evening, an entrepreneurship workshop, a civic conversation, or a collaboration with local creatives can all work if there's a real community benefit attached. A press release that only says “we opened” usually won't carry much weight.


Where businesses fit best


Think in terms of editorial relevance, not just promotion.


  • Local politics and civic life. Businesses that host forums, panels, or candidate conversations can fit here if the event has public value.

  • Community support and education. Workshops, mentorship, and training are often easier to place than pure promotional announcements.

  • Black entrepreneurship and ownership. Founders, operators, and service providers with a meaningful local story have a clearer path to coverage.

  • Arts, culture, and gathering spaces. Venues with programming, not just square footage, are usually easier to feature.


The publication's focus on the Black community, especially in Tulsa's Greenwood context, makes it a niche publication with high topical relevance and audience affinity. That's a strategic advantage for businesses that need credibility more than scale. It also means the best pitches are narrow, specific, and tied to what readers can use.


If your brand contributes to the way people work, gather, learn, or organize, that's the point of entry. If it only wants exposure, the pitch will feel thin. Editorial teams can spot the difference quickly.



Getting in front of the audience can happen in two very different ways. Earned media means you become the subject of a story. Paid media means you buy access through ads, sponsorships, or partnership placements. Both can work, but they solve different problems.


A process infographic showing how to get featured or advertise with The Black Wall Street Times newspaper.


Earned media works when the story is bigger than the offer


A useful pitch usually starts with a real community angle. If a space like Freeform House hosts a workshop for local entrepreneurs, a civic discussion, or a member event tied to business education, that's a story with public relevance. The key is to make the event useful to readers, not just convenient for the host.


A newsroom wants something that affects people outside the brand's immediate circle. That could be a partnership, a service initiative, a local hiring effort, or a public-facing program that adds value to the neighborhood. If the event invites participation, sharing, or learning, it's easier to justify coverage.


Paid media works when you need control and repetition


Advertising gives you more certainty. You can control timing, placement, and message consistency. That matters when you're promoting a membership drive, a launch, a special event, or a seasonal offer that can't wait for editorial interest.


This resource on a Tulsa business opportunity is a good reminder that local marketing usually works best when it's anchored in a concrete action, not a vague brand promise. The same is true here. If you're buying media, know exactly what action you want, whether that's attendance, inquiries, or membership interest.


Best practice: use paid placements for certainty and earned stories for trust. Don't expect one to substitute for the other.

The strongest strategy is usually a mix. A business can advertise around a launch, then pitch a follow-up story about what the community response looked like. That turns a one-time impression into a longer local presence.


Pitching Tips and Submission Guidelines


A useful pitch starts with one clear idea. Editors do not need a broad claim about why your business matters. They need the angle, the reason it belongs now, and proof that you respect their time.


A list of seven professional pitching tips and submission guidelines for The Black Wall Street Times contributors.


The submission policy for The Black Wall Street Times requires original, unpublished work between 600 and 1,200 words, submitted as a double-spaced, 12-point Times New Roman Google Doc, and all submissions are checked for plagiarism. The publication's submissions policy keeps those basics in place. If your draft misses those requirements, it will likely stall before anyone reads it closely.


Build the pitch like an editor is skimming it fast


Put the angle in the first line. Explain why it matters to this audience, why it matters now, and who can speak credibly on the topic. Keep the subject line plain and useful, because clever wording will not rescue a weak idea.


A strong submission usually does three things well. It gives readers a clear takeaway, it fits the publication's community focus, and it arrives in a form that is easy to review. That means clean formatting, tight sourcing, and no recycled language from another outlet.


Check the fit before you send


Match the publication's tone and mission before you submit. If your topic is too broad, too promotional, or too disconnected from Tulsa or Greenwood-related community life, tighten it first. If you are submitting commentary, keep the argument grounded in what readers can use, not just what you want to promote.


The common mistakes are easy to avoid. Contributors lose momentum by sending drafts that are too long, too vague, or not fully proofread. They also weaken their case when they do not verify facts with secondary sources or when they treat the submission like a casual blog post instead of a newsroom-ready article.


A pitch built around a gathering, panel, or public program needs the same discipline. Use a clear concept, a clean schedule, and a practical plan for attendance and follow-through before you ask for coverage. This community event planning guide is useful if your idea begins with a public event.


Submission rule of thumb: if the piece would not feel ready to publish after one careful edit, it is not ready to pitch.

That standard saves time on both sides. It also shows that your business understands how serious local media relationships work.


Your Next Steps for Community Engagement


A local business gets farther with The Black Wall Street Times by treating it as a long-term community channel, not a one-time promotional blast. Read the coverage, identify the stories that fit your work, and decide whether the next move is an editorial pitch, an ad buy, or a partnership that puts your business in the middle of something useful.


For a venue, membership club, or coworking space, the strongest approach is usually simple. Participate first, promote second. Host something people can use, document it well, then bring the newsroom a story that already has community traction. If you only sell the space, you sound like every other listing. If you shape a gathering people want to attend, you have something worth reporting.


A good public event can do that work for you. Use this event-hosting guide to tighten the concept, then build the pitch around what attendees will get, who it serves, and why it matters locally.


Immediate actions that make sense


  • Subscribe and monitor coverage. Watch the kinds of stories, events, and voices that already receive attention.

  • Shape one community-first offer. Build an event, workshop, or discussion that serves readers, not just customers.

  • Prepare a concise pitch package. Include your angle, timing, spokesperson, and why it matters locally.

  • Decide between feature and ad. If you need certainty, budget for advertising. If you have a strong public angle, pitch earned coverage.


The core value is trust. A niche local publication can help a business show up as part of the community instead of a stranger trying to rent attention. That matters in Tulsa and Jenks, where local identity still carries real weight and people notice which businesses contribute and which ones only ask for clicks.


A clear, well-timed collaboration can do more for local presence than a stack of generic ads. Start with a useful idea, keep the format clean, and send a pitch that helps the editor see the value quickly.


 
 
 

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